Filmmaker Sanjay Gupta publicly questioned FWICE’s decision to ban Ranveer Singh over his exit from ‘Don 3’ and argued that the ban would ultimately deprive 300 workers of their livelihood. FWICE issued this direction after Farhan Akhtar claimed that Ranveer’s sudden departure led to a loss of Rs 45 crore during the pre-production phase of the film.

The Federation of Western India Cine Employees (FWICE) banned the actor on Monday (May 25). Ranveer Singh after his sudden departure Farhan AkhtarFarhan himself had put the matter of ‘Don 3’ before the workers body. After this decision, there has been a sharp reaction from the industry including film producers. Sanjay Gupta Now the federation is publicly questioning the logic behind this move.

Sanjay Gupta hits back at FWICE

Addressing

Three notices, zero response – how did the non-cooperation directive come against Ranveer?

A non-cooperation directive was issued by FWICE against Ranveer after Farhan approached the federation over the ‘Don 3’ controversy in April. The actor was served several notices by the body, to which he responded by saying that FWICE was not the “appropriate forum” to resolve a contractual matter between the parties involved.

FWICE President Ashok Pandit breaks down federation’s decision in press conference

FWICE President Ashok Pandit addressed the media at a press conference to highlight the reasoning behind the federation’s decision. He explained that FWICE was forced to take action after Farhan filed a formal complaint, alleging that Ranveer had walked out of the film days before the shooting began and the actor had consistently failed to respond to his notices. “As soon as the complaint reached us, we registered it formally. Subsequently, we issued three notices to Ranveer Singh: one every 10 days, inviting him to join us, and three reminders. However, we received no response at all. Since we received no response, we collectively decided to call a press conference to inform the industry of the decision taken by our federation. As soon as we announced the press conference, we received a letter from Mr. Singh Received an email stating that this matter does not come under our jurisdiction and we have no right to interfere in it. We took note of their stand and decided to proceed accordingly,” Pandit said.

Farhan claims loss of Rs 45 crore – the financial stakes behind ‘Don 3’ controversy

Last month, Farhan had brought the matter before FWICE and alleged that Ranveer’s sudden exit from the project had caused a financial loss of Rs 45 crore. The official letter from the federation elaborates on the sequence of events, “A complaint was filed by filmmaker Farhan Akhtar before IFTDA on 11th April 2026, following which the matter was officially referred to FWICE for further action and appropriate intervention. In accordance with the principles of fairness, transparency and natural justice, FWICE convened meetings with all concerned parties to hear the case. Farhan Akhtar with the film’s producer. During the proceedings, Farhan Akhtar and Ritesh Sidhwani informed FWICE that they have already collected around Rs. Rs 45 crore was spent on the pre-production of the film. He expressed serious concern that the sudden exit of such a big actor from the project at the final stage could cause serious financial loss to the producer and adversely affect the overall execution of the film.”

From Amitabh to Shahrukh Khan and Ranveer – the iconic legacy of the ‘Don’ franchise ‘Don 3’

‘Don 3’ was officially announced by Farhan’s production house Excel Entertainment in August 2023, with a teaser that introduced Ranveer Singh as the new face of the iconic ‘Don’, a role originally brought to life by Amitabh Bachchan and later re-imagined. Shahrukh Khan.

The New York Times continues to expand the popularity of its daily puzzle collection with The New York Times Connections, a word game that challenges players to find hidden connections between seemingly unrelated words. The May 26 puzzle (#1080) features another entertaining mix of sports-related words, conversational topics, classic movie titles, and clever wordplay. Today’s puzzle includes categories related to championship awards, topics of discussion, iconic comedy from the 1980s, and a purple category based on anagrams. This guide contains spoiler-free hints, complete answers, and a quick explanation of how the puzzle works.

What is the NYT’s ‘connection’ game?

Connections is a daily word puzzle from the New York Times that asks players to group related words together. The game uses four color-coded difficulty levels – yellow, green, blue and purple – with yellow usually being the easiest and purple often incorporating more abstract or playful logic.Players receive 16 words and must arrange them into four groups of four each. Each group shares a hidden relationship that may include categories, meanings, phrases, themes, or wordplay.

NYT Connection signs for today

NYT Connections Answers for May 26, 2026

Here are the correct groups for today’s puzzle:

How to play NYT Connections

The puzzle presents 16 words arranged in a grid, and your goal is to arrange them into four groups of four words that share a hidden connection. A new Connections puzzle is released daily through New York Times Games and the NYT Mobile app. Players should carefully scan all 16 words and look for the most obvious links first, as rearranging the board can often reveal hidden patterns and reduce confusion.Once you’ve identified a potential category, select four related words and submit them as a group. Correct answers are automatically locked. Since players have a limited number of incorrect guesses before the game ends, strategic thinking and elimination become especially important to solve difficult categories.

Other NYT Games to Explore

If you enjoy connections, The New York Times also offers several other popular daily puzzle games:Wordle: Guess the five-letter word in six triesSpelling Bee: Make as many words as possible using a specific set of lettersMini Crossword: A Short Daily Crossword ChallengeStrands: A word search-inspired puzzle based on hidden themes

Workshop for setting up destination-level tourism governance bodies held at Trident Hotel, Nariman Point

Mumbai: Maharashtra has started work on setting up destination-level tourism governance bodies as part of a broader effort to position the state as a globally competitive travel hub.At a high-level workshop held at the Trident Hotel in Nariman Point earlier this month, the state government discussed the operationalization of six Destination Management Organizations (DMOs) under the World Bank-funded MahaStride programme. The initiative is being implemented by Maharashtra Tourism, with Maharashtra Institution for Transformation (MITRA) acting as the program management unit.The workshop, attended by senior bureaucrats, tourism officials, hospitality stakeholders and policy experts, marked an important milestone under MahaStride’s Disbursement Linked Indicator (DLI)-3, which focuses on setting up and operationalizing six DMOs across Maharashtra.Speaking at the event, MITRA Vice President Dilip Walse Patil said Maharashtra’s tourism potential lies in its history, culture, spirituality, wildlife, beaches and heritage sites, and stressed the need for professional and sustainable tourism management.He said, “Maharashtra has immense tourism potential inherent in its rich history, culture, spirituality, wildlife, coastal landscapes and heritage sites. Through destination management organizations, the state aims to build a professionally managed and sustainable tourism ecosystem that enhances visitor experiences, strengthens stakeholder coordination and positions Maharashtra as a globally competitive tourism destination.”The proposed DMO is envisioned as an institutional mechanism to coordinate tourism development at the destination level, improve visitor experiences and generate sustainable economic opportunities for local communities.An important announcement during the workshop was the signing of an MoU between MITRA and Atithi Foundation to support knowledge-sharing, stakeholder engagement and implementation partnerships within the tourism ecosystem of Maharashtra.A panel discussion on “Role of DMOs and USPs of Maharashtra – You will find India here” was attended by senior officials and tourism industry representatives including MITRA CEO Praveen Pardeshi, Additional Chief Secretary (Tourism) Sanjay Khandare, Maharashtra Tourism Development Corporation Managing Director Nilesh Gatne, MahaSTRIDE Project Director Aman Mittal and private sector tourism experts.Pardeshi said Maharashtra will need to move beyond traditional tourism promotion to emerge as a global destination.“Destination management organizations can operate as dedicated institutions that integrate tourism services, local stakeholders, branding, infrastructure, logistics and visitor experiences into an integrated ecosystem,” he said.Khandare said the government’s approach aims to create an experience-driven and sustainable tourism ecosystem rather than just promoting destinations.“Our focus is not just on promoting destinations, but on creating sustainable, experience-driven tourism ecosystems that benefit local communities, create jobs and enhance visitor experiences,” he said.Gaitne said tourism development now requires the creation of infrastructure as well as coordinated management and strong destination branding.Officials and panelists highlighted Maharashtra’s diverse tourism offerings ranging from heritage and pilgrimage circuits to coastal, wildlife, wellness and adventure tourism and said the DMO framework can help strengthen destination branding, improve governance and support local employment.Tourism department officials from Konkan, Pune, Chhatrapati Sambhajinagar, Nashik and Nagpur divisions participated in the workshop.The Department of Tourism and Cultural Affairs, established in 2016, is tasked with integrating cultural preservation and tourism development to enhance the visibility of Maharashtra as a travel destination while contributing to regional economic development.

Title cards have always been a special celebratory moment for fans of star actors. Over the years, these title cards have evolved from simple text designs to stylish animated scenes that create excitement inside theaters. In recent times, title card animation has been created specifically for suriya ‘Karuppu’ created a huge buzz among film lovers. This impressive presentation was welcomed with thunderous applause in the theatres, and even fans called it one of the best title cards ever made for Suriya. Following the overwhelming response, the film’s team officially released the title card online, where it quickly went viral on social media platforms.

designer Ambani Surya opens up about his reaction

The animated title card of ‘Karuppu’ was designed by Chennai-based producer Ambani, who has also worked on the title cards of films like ‘Retro’ and The Greatest of All Time. Speaking about the response in a conversation with Cinema Vikatan, he shared, “I designed Suriya sir’s title card for ‘Karuppu’. The reception has been incredible, and even the film team released it officially after seeing the fans’ response.” He further said that many people told him that this could also become Suriya’s signature title card style for future films. “Just hearing that makes me so happy,” he shared. Ambani also revealed that Surya personally liked the design, which made the moment even more special for him.

RJ Balaji’s idea became the attraction of ‘Karuppu’

Ambani explained that the idea behind the ‘Karuppu’ title card was to create something bigger and more impactful than what they had done earlier in ‘Retro’. He said that the concept was discussed with director RJ Balaji, who immediately liked the idea. He said, “RJ Balaji sir immediately liked the concept and that’s how we designed the title card, which people are celebrating now.” He also revealed that the title style “The One” used earlier was RJ Balaji’s suggestion for ‘Karuppu’. According to Ambani, title cards are no longer just introductions for the stars, but have become an emotional celebration for the fans inside the theatres.

Animation title cards have become a trend

Ambani also shared how his animated title card journey in Tamil cinema began. He experimented with this idea for the first time during ‘Thunivu’ using iconic moments from Ajith Kumar’s career. Later, his work for Vijay’s title card in ‘GOAT’ gained him massive recognition among fans and filmmakers. He revealed, “After ‘GOAT’ became a hit, many people started asking for animated title cards for other films as well.” Ambani said he always believed that title cards should look exciting rather than having plain text on the screen. Today, his designs have become a trend in Tamil cinema, turning star introductions into unforgettable theater celebration moments for fans.

Ananya Pandey And Lakshya starrer ‘Chand Mera Dil’ has been grabbing attention for the past few days, not for its story or box office performance, but because of a dance sequence of Ananya Panday. After her Bharatanatyam-inspired performance surfaced online, social media immediately turned the clip into a meme fest. The actress was brutally trolled, with many claiming that her dance moves were nowhere close to the classical art.

Ananya Panday brutally trolled for Bharatanatyam moves in ‘Chand Mera Dil’

Netizens compared her performance to that of Sridevi and veteran Bollywood actresses known for mastering classical dance forms. Not just social media users, a section of the media also sought opinion from trained Bharatanatyam experts and classical dancers on the sequence.

chunky pandey Supported daughter Ananya after receiving online feedback

Now Ananya’s father actor Chunky Pandey has come to her rescue. Speaking to ETimes, he clarified that the sequence was never intended to be pure Bharatnatyam.He said, “I think people completely misunderstood it. It was never meant to be pure Bharatanatyam. It was a fusion performance, the kind of experimental dance you often see college students doing at social or cultural events.”Chunky further said that people mistook this act for classical singing and evaluated it accordingly.“People assumed it was traditional Bharatnatyam and started judging it from that perspective. But pure Bharatnatyam requires years and years of rigorous training. About 20 years of discipline and precision. It is extremely technical and structured, almost robotic in its movements and expressions.”Calling it a creative experiment, he said, “It is a blend of futuristic, advanced dance forms with elements of traditional dance. It’s a creative mix, not any classical singing. I would request people to watch the film and understand the context before reacting.

about the moon my heart

Set in the backdrop of an engineering college, ‘Chand Mera Dil’ is the story of two students Aarav and Chandni, whose passionate romance takes an unexpected turn when adulthood and responsibilities come too early in their lives. What begins as a young love story gradually transforms into an emotionally intense journey about marriage, parenthood, sacrifice and self-discovery.Professionally, Chunky Pandey was last seen in ‘Rahu Ketu’ and now he will be seen in David Dhawan’s upcoming film ‘Hai Jawaani Toh Ishq Hona Hai’.

Anger is one of the most powerful human emotions but not everyone experiences it the same way. Numerology shows that a person’s birth date can indicate unique emotional patterns such as how they react when upset, hurt, or disappointed.Numerologists believe that the energy vibrations of the birth date influence personality traits, emotional behavior, and reactions under stress. Experts say you can narrow down your birth date to a single number between 1 and 9 and explore different “angry personalities.”Number 1: Quick temper and quick reactionIt is said that people born on 1st, 10th, 19th or 28th of any month are fiery and quick to react. They hate to be insulted, ignorant, or feel controlled. They get angry easily. Most of the time it is in summer but it also goes away just as quickly. Many people later regretted acting on impulse.Number 2: Silence and emotional angerPeople born on the 2nd, 11th, 20th or 29th are emotionally sensitive. They are not impulsive and react quickly to anything. “They absorb things and think about things a lot.” Their anger may be quiet, but it runs deep; They may harbor emotional wounds even after the argument is over. Number 3: Expressive and vocal angerPeople born on the 3rd, 12th, 21st and 30th of the month are believed to show their anger openly, with verbal and emotional outbursts. They can be quite intense when upset but once they have expressed their feelings they usually return to normal very quickly and do not hold grudges for long. Number 4: Frozen AngerIt is said that people born on 4th, 13th, 22nd or 31st are able to keep their emotions in check for a long time. Many times they suffer silently until the last straw leads to an emotional explosion. They appear calm and patient, so their explosive reactions can irritate those around them. Number 5: Mood-Based AngerIf your birthday is on the 5th, 14th or 23rd, you are associated with rapidly changing moods. They can change from complete despair to complete peace in a matter of moments. Even numerologists admit that they may have difficulty figuring out what causes their mood changes. Number 6: Emotionally Driven AngerThose born on the 6th, 15th or 24th are highly emotional and relationship-oriented. They are often angry because they feel neglected, disliked, or emotionally unappreciated, not because of an ego clash. They are more emotionally disturbed by arguments.7. distant anger Number 7: Dispassionate AngerPeople born on the 7th, 16th or 25th are considered to avoid conflict and drama. They withdraw, they cling and they emotionally isolate themselves from others rather than argue out loud. His silence is often taken as a sign of serious anger. Number 8: Controlled but intense angerThose born on the 8th, 17th, or 26th have deep and controlled emotional reactions. From outside they appear very calm but from inside they may feel cheated or humiliated for a long time. Anger that is calmed down is often more powerful than that which explodes. Number 9: Powerful Emotional ReactionsIt is said that the numbers 9, 18 and 27 are powerful and bring emotional energy to those born on these dates. They can be patient for a long time but injustice, dishonesty or betrayal can lead to an explosive reaction. However, their anger is not easily controlled when pushed too far.

Veteran actor Ramakant Dayama, who was a part of many popular TV shows and films, passed away earlier today (May 26). fellow actor shubhangi Latkar shared an old video of himself singing and dancing with other stars. While sharing the video clip, he expressed grief over his untimely demise. The actress also wrote a long, emotional note paying tribute to Ramakant.The post read, “Today, we truly lost a beautiful soul, and I am speechless. Ramakant Dayama was not just a dear friend and family friend to me, but someone I deeply admired and respected. Full of life, warmth and energy, he truly knew how to enjoy life despite every challenge. A smooth dancer, a soulful singer, a brilliant actor and for me, a wise advisor whose words always make sense. She added, “He may have looked small, but he was one of the strongest and most courageous people I know.Although we all knew that he was unwell for several months, somewhere in the heart one never gives up hope. We had a lot of unfinished plans. After years, I really wanted to work with him again. We had decided to do a beautiful Hindi play together.“When I requested him, he smiled and said, ‘Let me get well soon.’ We had also planned to present selected beautiful poems together on stage. That dream is also incomplete now…Some losses leave behind a silence that words are unable to express. Today feels like one of those days.Will miss you a lot Ramakant ji. Your warmth, your courage, your art and your beautiful spirit will live forever in our hearts. May your soul rest in peace,” Shubhangi shared. The reason for his demise is currently unknown. Fans and people close to the industry have paid tribute to him and shared their condolences with his family members.